Objective: The aim of this research is to explore the character development style in the historical drama series "Roozegar-e Gharib", and more specifically, how historical figures are transformed into dramatic characters in this series.
Method: The research method used in this study is descriptive analysis with a neo-formalist approach.
Findings: In this series, the hero character is placed in five age periods, and the character's journey in these five periods is narrated through the use of narration. In this series, the anti-hero is a disease in the general sense, and in different parts, aspects of this disease such as cancer, plague, and even the disease of people's ignorance are manifested depending on the situation. In addition, secondary characters (complementary and opposing) are used to show more dimensions of the hero character and his fate. The characters' speech is also shaped according to the culture and temporal situation.
Conclusion: Based on the research findings, it can be inferred that Kianoush Ayari has tried to approach external reality by using character development in various dimensions and has tried to prevent any superficiality in roles and games. Therefore, his character development style in transforming history into drama is documentary-like and similar to Italian surrealism.